![]() ![]() ![]() An extended set of symbols, relational markers and conventions may assist in recording and presenting structures associated with more formal support service systems. Despite the growing use of genograms the set of diagrammatic symbols and conventions (McGoldrick., et al) has not necessarily kept in step with this systemic thinking and therapies. Genograms and sociograms have been used effectively to support and facilitate such approaches as in the case of systemic consultation (Rhodes et al. More recently there has been an increase in the recognition and use of systemic therapies and methods to augment more traditional behaviour assessment, clinical formulation and case consultation. Even amongst practitioners with similar theoretical orientations there was only a lose consensus about what specific information to seek, how to record it, and what it all meant. Prelude Despite the widespread use of genograms by family therapists, psychologists and other practitioners, i a n n il he 1980 hen a more generall agreed-upon practice and diagraming convention came to be accepted. The specific tool of the creative genogram enabled us not only to provide a clear directive tool for family social workers but also to demonstrate the ways that social art corresponds to and can enhance the aims of family social workers in more detail.ĭisclaimer: The material and views expressed in this publication are solely those of the author in his private capacity and do not represent the views of his employer and the disability sector. A theoretical understanding of social versus psychological art is outlined. Ways to overcome these challenges and to utilize the benefits were discussed. Challenges were the unfamiliarity of art language and fear of being "diagnosed" through art. The findings point to the usefulness of including creative genograms in family social work contexts to intensify information, engagement, and stimulation and to re-perceive calcified problems through new visual terms. This participatory research gathers the self-defined, phenomenological experience of family social workers who experienced creative genograms firstly on themselves and then administered it with their clients: Examples are analyzed within the text. Creative genograms enable families to phenomenologically self-define recurring themes and issues, thus combining both historical, but also, experiential data on the same page. The descriptive arts activity also provides a protocol for using arts in similar shared reality group and community contexts.Genograms are widely used in family therapy as a way of visually mapping out systems and recurring family patterns. This paper hopes to illuminate the complexity of elements of SA as a specific and under-researched direction within art therapy. This is discussed as a complex theoretical challenge as well as an advantage. It shows how a SA orientation integrates the dual areas of psychological and also social agency. The aim of this case study is theoretical, using the case study to describe the characteristics and mechanisms of Social Arts (SA) as manifested in this activity. ![]() ![]() It then presents the central themes within the asylum seekers’ art that include remembering home, the traumatic journey, arriving in Israel, and pleas to have empathy and to enable them to be free rather than imprison them. The paper describes the protocol of the puzzle art intervention. The specific tool of the creative genogram enabled us not only to provide a clear directive tool for family social workers but also to demonstrate the ways that social art corresponds to and can enhance the aims of family social workers in more detail.Ī B S T R A C T This paper describes a single-session Social Art intervention with a group of Eritrean migrant detainees in Israel during which they described their journey and created messages to the hegemonic Israeli society. Genograms are widely used in family therapy as a way of visually mapping out systems and recurring family patterns. ![]()
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